Features of kinesthetic empathy in modern dance

The purpose of the article is to identify features kinesthetic empathy in context specifics dance partnership modern dance. Research methodology. method cognitive and systems analysis was used (to highlight basic essential characteristics its manifestation dance); comparative theoretical generalization formulate research conclusions). Scientific novelty. Kinesthetic has been studied through prism partnership; concepts "kinesthetics", "empathy" "kinesthetic empathy" art are specified; development kinesthetic-empathic approach retrospect considered; peculiarities process interaction analyzed. Conclusions. act a unique pattern conscious movements space-time, dancer endowed with ability go beyond it can cause local experience himself his partner communication. Contemplating body motion, he sees possible move that be made by own body. study found nature relationships represents dance, physical performance parameters, external form existence based on three main aspects: contact (direct physical, emotional, visual, etc.); coherence actions; mutual understanding (manifested both functional technical characteristics, from coincidence rhythm, consistency steps visual consistency, ethics contact). Considering between dancers as rhetorical particular type nonverbal confidence two (or more) people who together physically and/or energetically (according F. Adrin) includes time, balance, strength, shape, personality, united movement K. Lowe), we state concept manifested an empirical performers, embodying aspects their movements. This positioned sensory facilitated emotional component, memory, imagination - emotions memory become ways kinesthetically enhance interaction. Dancers create motor images combine positions movement, so partners dynamics sequences, thanks imagination, they "connect" energy rhythms partner's movements.
 Key words: empathy, dancers, partners, improvisation,